September 10, 2010-
I ventured out this morning and found 4 of my 19 remaining traps gone. Caught a few lobsters and a bunch of big fat crabs which became supper for Ryan and myself. Rowed around Wheaton and the harbor. Hauled up gear and rowed back in a frisky headwind. Me, the boat, the wind, the water, and the lobsters.
September 13, 2010
Clayton has somewhere on the order of 3,400 songs on the official Samantha J IPod, which works out to a random assortment of 1,700 or so, being that I can only hear one side of the stereoscopic field. The IPod vapor-locked 1 second from the end of Wonderful Tonight by Eric Clapton. Strange because classic rock songs seldom come up in the random mix. Stranger still because then we were stuck with classic rock via old fashioned FM.
These tunes are what I grew up with. I taught myself Band on the Run, Sweet Home Alabama, and a lot of songs in that vein starting in the 5th grade. The problem with this radio format is that it takes a tiny cross section of artists and songs and plays them incessantly. It's a buffet with 200 kinds of mac and cheese, varying only by how mild the cheddar is. I don't prefer to hear 4 Journey songs in one shift in the stern, thank you. Bob Seger has an extensive catalog, but this station thinks he had only 2 or 3 songs to his credit.
These tunes are what I grew up with. I taught myself Band on the Run, Sweet Home Alabama, and a lot of songs in that vein starting in the 5th grade. The problem with this radio format is that it takes a tiny cross section of artists and songs and plays them incessantly. It's a buffet with 200 kinds of mac and cheese, varying only by how mild the cheddar is. I don't prefer to hear 4 Journey songs in one shift in the stern, thank you. Bob Seger has an extensive catalog, but this station thinks he had only 2 or 3 songs to his credit.
Damn the Telecommunications Act of 1996, allowing unprecedented media consolidation and giving rise to monolithic radio conglomerates all pouring out the same tired playlists of Classic Rock. I love these songs, and hate to see them ruined by franchisement. Business-wise it makes perfect sense. Keep people listening to the same catalog and you don't have to develop new material or fresh takes on the older stuff. Play the song, condition the response, deliver the listeners to advertisers having only enough brain function to pull out the debit card and buy the advertised goods and services.
As much as I'd rather not hear songs that remind me of youth and keep my brain in a soupy mushy place of familiarity, but rather songs that expand my palate and make me look ahead, I work repetitively, so I guess the repetitive format is OK. I sing. I swing traps around. They swing me back. The deck sways-gently today, which is nice.
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